Thursday, April 30, 2009

RESIDENCE: A House with A Tree Tattoo

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Most of the time, when we want to limit the amount or intensity of light as it streams into our homes, we install blinds or hang curtains. Not so with this house extension in Victoria, Australia designed by Andrew Maynard Architects. The owners of the home wanted to add a kitchen and living space to their home that would be full of natural light — a desire easily met with glass facades that would allow light to stream in. However, in order to save the interior from baking in sunlight and to comply with local regulations, Andrew Maynard Architects decided to take a cue from nature and attach large, tree-shaped stickers that would filter the light as it entered the interior. With this clever addition, the interior receives ample daylighting through static “tree branches” that provide leafy shade and subdued privacy all year round.

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Meant to feel more like an covered deck rather than an enclosed space, a corner of the extension uses bi-fold doors that allow the extension to completely open up to the outdoors. The completed project shows a full kitchen, but otherwise leaves the space open and flexible for different uses and easily becomes a staging area for outdoor events.

The clients’ desire for a sunlit interior challenged the architects to make a structure that was energy-efficient and comfortable in both winter and summer. Keeping in mind that this home is located in the southern hemisphere, the architects provided extra glazing on the southern all-glass facade to minimize heat loss in the winter. The architects also left a horizontal slot on the north-facing facade that is meant to capture winter sunlight while blocking out high summer sun. The home also includes small windows in the northwest corners and southeast corners that help create a breeze through the home that will help cool it during the summer.

The architects describe the concept for the tree tattoo as a method of creating a filtered light that gives full views out on the lower level — and creating privacy for the upper level. The permanence of the sticker effectively creates a static tree that will never be too small to provide effective shade or too large that it becomes a liability. We are still fans of real trees, as they provide shade and remove carbon dioxide, and hope that the owners of the home will consider growing one. However, Andrew Maynard’s solution is certainly beautiful and ingenious for the short term.

+ Andrew Maynard Architects

via archdaily


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by Olivia Chen

PREFAB FRIDAY: Container Homes for the Tropics

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Inhabitat’s Prefab Friday column has seen its fair share of shipping container homes, but we’ve never seen shipping containers paired with bamboo as a construction material before. But now, Bamboo Groves, a design and construction firm in Costa Rica, has developed some great designs for homes made from insulated shipping containers and bamboo. Developed for the tropical climate, these prefab homes are different from the designs we are accustomed to — those designed for temperate or cooler climates. Many of these prefab and shipping container homes focus on passive heating and cooling. But in warmer climates, such as Central America, construction requires a different tactic - insulating from the heat and providing lots of natural ventilation to help cool.

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Bamboo Groves uses Intermodal Steel Building Units (ISBUs), which are insulated shipping containers, in creating the framework of the home. Then Guadua Bamboo, which is one of the fastest growing bamboos, is harvested from nearby Costa Rican bamboo plantations and used as the structural beams for the roof. Current designs range from 100 sq meters with one ISBU up to 250 sq meter split level villas with three ISBUs. Construction should take less than 5 months and be very affordable.

Concrete is a very common and accessible building material in Central America, so it is used for countertops and other built-in pieces of furniture like benches and bed stands. Other sustainable elements could be added to these homes, such as a greywater recycling system, rainwater collection, and wind or solar systems. Green building supplies like low-VOC paints, formaldehyde-free cabinets are not easily accessible there, but as the demand for these items grow, they will surely be available soon.

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We are impressed by these prefabs for two reasons: first, that they are built from insulated shipping containers and a local material, bamboo; and second that it accommodates the tropical climate by minimizing heat gain and maximizing natural ventilation. With those items in mind, we think this company certainly has a good handle on creating affordable and beautiful homes.

by Bridgette Steffen



Taiwan’s Beautiful Bioshell Center for Disease Control

BioLab, Taiwan Center for Disease Control, Biomimicry, Studio Nicoletti, sustainable architecture, green building, green design, shell building

Inspired by the elegant form of the Nautilus Shell, the Taiwan Center for Disease Control’s BioLab conceals a dangerous riddle within its outer skin. Usually only visible to the naked eye, the structure of the outer skin is laced with geometric patterns that represent the four symbols of the DNA sequence of the dangerous bacteria being studied within. If you’re not in awe of the structure itself, you may catch on to the message that Taiwan is trying to deliver: “Epidemic prevention is a war that we intend to win”.

BioLab, Taiwan Center for Disease Control, Biomimicry, Studio Nicoletti, sustainable architecture, green building, green design, shell building

A joint project by Manfredi Nicoletti and Arco Architects & Designers, the design has received an honorable mention in a competition to design a new center for disease control located in the Hsinchu Biomedical Science Park in Hsinchu County. The twin nautilus shell structures are surrounded by a rolling green-roofed complex that provides insulation while blending the project in with its surrounding environment. A large central atrium suffuses the interiors with light, and the biolab’s beautiful facade acts as a brise-soleil that helps to regulate interior climate while allowing light to filter through.

Although it is unclear whether or not anyone will truly see the pathogenic code hidden in the structure’s exterior, the nature of the bioshell goes to show that beauty lies in even the most destructive forms of nature.

by Evelyn Lee



Wednesday, April 29, 2009

Wimbledon Set to Debut Innovative Retractable Roof

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Soon, playing tennis at Wimbledon will no longer depend on the weather forecast, nor will spectators have to entertain themselves while they wait for the rain to stop and the courts to dry. A new retractable roof has been installed over Centre Court and the air management systems are currently being tested in preparation for its official debut in May. This new roof will is made out of translucent fully recyclable fabric, minimizing building materials while allowing daylight to stream down from above. The design will conclude the All England Club’s Long Term Plan, providing greater security for the grass courts, decreased play delays and more comfortable viewing for fans.

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If you’re a fan of tennis, you’ve surely watched as it suddenly starts to downpour on a Wimbledon match. Rain at Wimbledon is just part of the tournament, just as much as is the grunting, the volunteers in their short shorts and the sparkling white outfits. It comes with the territory, but the rain also causes delays and can easily damage the courts, all of which cost money. Previously explored solutions included doming the whole roof permanently, however the decision to go with a retractable fabric roof struck us as a stroke of brilliance.

Structural engineering for the roof was provided by the UK firm, Capita Symonds, which includes design of the retractable fabric system, a partial redesign of the roof and most importantly the air management system. Even though the roof will halt the rain from pouring in, moisture from the lawn and people as well as humidity must be controlled in order to provide optimum playing and viewing conditions. The air management system will mostly control humidity and prevent condensation on the grass and underside of the roof, not to mention keep everyone looking dapper. The system will also ensure that enough oxygen is pumped into the stadium.

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The roof itself is made from Tenara, a very lightweight, strong, flexible and most importantly waterproof architectural fabric. Stored on either side in accordion folds, the fabric takes up little room until needed. Upon notice of rain, the fabric is pulled across the court on trusses in less than 10 minutes and covers 5,200 sq meters. When fully deployed the fabric is 40% translucent - not transparent enough to see through, but enough to let in natural light to reach the grass below. Tenera is a non-toxic fluoropolymer and will not degrade during its useful life, but can be fully recycled.

Set to be completed before the May 17 Centre Court Celebrations, the new roof will surely make for a more enjoyable tennis tournament. Andre Agassi, Stefanie Graf, Tim Henman and Kim Clijsters will be some of the first players to play after the roof is installed. With a minimum amount of materials, a slight redesign and recyclable plastic, the All England Club came up with a good solution for Wimbledon and the rest of its events.

by Bridgette Steffen



Pugh & Scarpa Architects

"Orange Grove is a five-unit for sale market rate loft project, featuring ceiling heights up to 30 feet. The building is sensitively designed and compatible with the neighborhood, but differs in material palette and scale from its neighbors. Referencing architectural conventions of modernism rather than the pitched roof forms of traditional domesticity, the project presents a characteristic that is consistent with the eclectic and often unconventional demographic of West Hollywood. Distinct from neighboring structures, the building creates a strong relationship to the street by virtue of its large amount of highly usable balcony area in the front façade.

While there are dramatic and larger scale elements that define the building, it is also broken down into comprehensible human scale parts, and is itself broken down into two different buildings. Orange Grove displays a similar kind of iconoclasm as the Schindler House, an icon of California modernism, located a short distance away. Like the Schindler House, the conventional architectural elements of windows and porches are reconceived as an abstract sculptural ensemble, in this case referencing a paradigm based on the space, light, and industrial materials of the loft." to find out more...
Image & Passage from http://www.pughscarpa.com/projects/orange.grove